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Saturday, October 11, 2008


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  • About the Blogger:
    Chanan Tigay is a longtime journalist for publications ranging from Agence France-Presse to The Jerusalem Report to JTA. He received an MFA in creative writing from Columbia University, has recently completed a collection of short stories and is at work on a novel. He starred in the feature film "Hitler's Strawberries" by Academy Award-nominated director Gian-Luigi Polidoro and in the Off Broadway hit "Grandma Sylvia's Funeral." He lives in Los Angeles and is at work on a television pilot. Apparently, he's not the only one in L.A. trying to break into T.V.

    Previous Postings:
    Baseball, hot dogs and Mel Gibson?
    posted 07/25/2007 @ 12:31PM
    So I'm at San Francisco's AT&T Field Tuesday night to watch the Giants play the Atlanta Braves and, more interestingly, Barry Bonds on his 43rd birthday trying to catch Hank Aaron's decades-old home run record. Between innings the park runs short videos o [1.03 kbytes more ]
    Enlightenment on the Six-Day War
    posted 06/11/2007 @ 06:28PM
    It was on June 10, 1967 that the Six-Day War ended, which means June 11, 2007 marks the four-decades anniversary of the beginning of Israel’s current reality. I’m not going to go into the historical, strategic, political and sociological implications of t [2.18 kbytes more ]
    Is secular Jewish culture a vital idea?
    posted 05/10/2007 @ 02:41PM
    There’s a new online journal out there for secular Jews; this is great news. Not that I think Secular Culture & Ideas on its own is likely to really change the landscape of modern Jewish identity in the U [2.98 kbytes more ]
    Defining a 'Jewish writer' isn't easy
    posted 04/26/2007 @ 01:48PM
    I just read Dina Kraft's great story on the JTA site about the recent Kissufim conference in Jerusalem at which Jewish writers debated what it means to be "a Jewish [2.39 kbytes more ]
    In Imus case, the reverends are right
    posted 04/17/2007 @ 01:31PM
    I've shed exactly zero tears for Don Imus. The shock jock deserved to be fired for his latest incredibly insensitive, probably racist comment alone. That it was one in a long line of related comments dotting his career only bolsters my feelings. Still, th [1.83 kbytes more ]
    Richler belongs with the best
    posted 04/12/2007 @ 03:50PM
    When people talk about the pantheon of North American Jewish writers, most often they mention Philip Roth, Saul Bellow, Bernard Malamud -- and rightfully so. It's unfortunate that Mordec [2.01 kbytes more ]
    A very Yehoram Gaon Pesach
    posted 04/01/2007 @ 12:52PM
    So, apparently Passover’s coming really late this year. Last year it was early. It never seems to come on time. Why is that? Just throwing it out there. Whatever the answer may be, the spring festival’s here and while to many that means one thing, matzah, [1.82 kbytes more ]
    Is my script ready for prime time?
    posted 03/26/2007 @ 11:33AM
    A word on television sitcom pilots, because I finished writing one this week.

    First off, a pilot is the first episode of a TV series that does not yet exist. So when you write a pilot, the hope is that you’re creating characters and a situation that ev [1.92 kbytes more ]

    Fame looms for another Braff brother
    posted 03/21/2007 @ 11:11AM
    You want to talk about talented Jews?

    You’ve probably heard of Zach Braff, star of the phenomenally funny NBC comedy "Scrubs" and star/writer/director of the terri [1.41 kbytes more ]

    Everybody loves Rosenthal
    posted 03/15/2007 @ 02:33PM
    Here's a bit of recommended reading for you. I just finished "You're Lucky You're Funny: How Life Becomes a Sitcom." It's a memoir by Phil Rosenthal, who created the massive TV sitcom hit "Everybody Loves Raymond."

    The book is extremely funny, insightfu [1.88 kbytes more ]

    Israeli films heading in the right direction
    posted 03/06/2007 @ 04:41PM
    A gaggle of Hollywood stars is expected to show up at this month’s Israel Film Festival in Los Angeles, from Sacha Baron Cohen of “Borat” fame to vete [2.61 kbytes more ]
    Mazel tov to Arkin, Scorsese and Gibson
    posted 02/27/2007 @ 05:51PM
    If you listened carefully during the Oscars, you heard a little bit of mamalushen emanating from the stage. It was about 16 hours into the broadcast, though, so if you were asleep or had otherwise thrown in the towel (perhaps you’re not enthralled by inte [1.51 kbytes more ]
    Best Actor, Lead or Supporting: Alan Arkin
    posted 02/22/2007 @ 10:42AM
    It's Oscar time again and that means the opportunity to see what has become of Joan Rivers' face, an overdose of Hollywood self-congratulation and, if we're really lucky, an awards broadcast that includes an (unintention [2.18 kbytes more ]
    Finally, some good notes from Israel
    posted 02/07/2007 @ 05:20PM
    Have you noticed just how much bad news has been coming out of the Israel these days? President Moshe Katsav seems likely to be indicted on, among others, rape charges; Prime Minster Ehud Olmert’s under investigation for corruption; IDF Chief of Staff Da [0.96 kbytes more ]
    From Wagner to Gibson
    posted 01/18/2007 @ 10:23AM
    First, an admission: I listen to Richard Wagner’s music. Yes, I’m aware that he was a rabid anti-Semite, that his anti-Semitism may have been influential with Adolf Hitler, [2.58 kbytes more ]

    Chanan's Culture Schlock
    Marketing Jewish to the masses: or, would you buy a T-shirt from Woody Allen?
    By Chanan Tigay

    So I'm driving along Sunset Boulevard in L.A. recently and a large billboard catches my eye. It’s an ad for American Apparel (click to see photo), a clothing line for the hipster set whose ads have generally featured men and, more frequently,
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    women in suggestive poses covered by surprisingly little apparel for an apparel company ad.

    But this one was different. The guy in this ad wasn't striking a sexy pose, and he was covered by quite a lot of clothing for today’s standards. He was wearing a big black hat, a black coat and long earlocks dangled at his temples. Not only that, the model wasn't an anonymous good-looker - it was none other than Woody Allen, dressed as a Chasid in one of the more famous stills from "Annie Hall." Over Woody's hat, in large white print, ran a line of Yiddish: "Der Hilliker rebbe," the Holy Rabbi. Near his beard: "American Apparel."

    Now that's an interesting ad campaign. First, Woody isn't exactly at the height of his popularity. "Match Point" was good compared to some of its immediate predecessors – I actually walked out of "Melinda and Melinda," which for me was the equivalent of the Lubavitcher rebbe walking out on Kol Nidre – and for any other director might even have been considered very good. But not for Woody.

    Not only that, who exactly was expected to see that ad and want to buy clothing from American Apparel? Chasidim? It's unlikely that many of them have seen "Annie Hall," and they couldn't admit it if they did. What connection were passers-by meant to draw between hip clothes and Woody in peyes? Do Jews represent a big enough market to target with such ad buys? I understand our significance as swing voters, and hence the desire by candidates to hawk their pro-Israel credentials to us. But are we also a swing clothing-buying demographic?

    It seems that these ads – I'm aware of another placed on Manhattan’s Lower East Side, a hipster mecca – were directed in part at the same crowd that reads Heeb, a glossy magazine that targets young, culturally but not religiously minded Jews. But I think they were aimed elsewhere, too.

    Recently I blogged about a story on msn.com about how to find a Jewish mate. Clearly the editors at MSN thought enough of their readers would be interested in such a piece, which means non-Jews are out there looking for Jewish mates. Something similar seems to be at work here. American culture has long been influenced by Jews in Hollywood but over the past several years, specifically Jewish items have found their way into the culture at large: from Yiddishisms on sitcoms, to Matisyahu, to presidential candidates touting their Jewish ancestors to Woody Allen in peyes on billboards.

    Being Jewish has, improbably, become cool. This of course has come along with the general boom in promoting diversity and ethnic identity rather than the original melting-pot theory that was at play in the U.S. for many years. But it's notable that at least in the big cities, Jewish icons are thought now to be powerful marketing devices, even among non-Jews. What's next, "American Idol: The Cantors Edition?" (Also worth a read is Esther Kustanowitz's blog post about "Do Jews need a mascot to build buzz?")

    [full story/permalink]

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    09/30/07 @06:19 | t809t
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    09/30/07 @06:25 | t745t
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    Hi! Look please the signature.

    10/24/07 @01:08 | Reple
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    Hello I've just registered at the forum. This is my first message. Please don't become angry about me. Thank you.

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