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Friday, October 10, 2008


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  • About the Blogger:
    Chanan Tigay is a longtime journalist for publications ranging from Agence France-Presse to The Jerusalem Report to JTA. He received an MFA in creative writing from Columbia University, has recently completed a collection of short stories and is at work on a novel. He starred in the feature film "Hitler's Strawberries" by Academy Award-nominated director Gian-Luigi Polidoro and in the Off Broadway hit "Grandma Sylvia's Funeral." He lives in Los Angeles and is at work on a television pilot. Apparently, he's not the only one in L.A. trying to break into T.V.

    Previous Postings:
    Baseball, hot dogs and Mel Gibson?
    posted 07/25/2007 @ 12:31PM
    So I'm at San Francisco's AT&T Field Tuesday night to watch the Giants play the Atlanta Braves and, more interestingly, Barry Bonds on his 43rd birthday trying to catch Hank Aaron's decades-old home run record. Between innings the park runs short videos o [1.03 kbytes more ]
    Enlightenment on the Six-Day War
    posted 06/11/2007 @ 06:28PM
    It was on June 10, 1967 that the Six-Day War ended, which means June 11, 2007 marks the four-decades anniversary of the beginning of Israel’s current reality. I’m not going to go into the historical, strategic, political and sociological implications of t [2.18 kbytes more ]
    Marketing Jewish to the masses: or, would you buy a T-shirt from Woody Allen?
    posted 05/30/2007 @ 04:33PM
    So I'm driving along Sunset Boulevard in L.A. recently and a large billboard catches my eye. It’s an ad for American Apparel (click to see photo), a clothing line for the hipster set who [3.15 kbytes more ]
    Is secular Jewish culture a vital idea?
    posted 05/10/2007 @ 02:41PM
    There’s a new online journal out there for secular Jews; this is great news. Not that I think Secular Culture & Ideas on its own is likely to really change the landscape of modern Jewish identity in the U [2.98 kbytes more ]
    Defining a 'Jewish writer' isn't easy
    posted 04/26/2007 @ 01:48PM
    I just read Dina Kraft's great story on the JTA site about the recent Kissufim conference in Jerusalem at which Jewish writers debated what it means to be "a Jewish [2.39 kbytes more ]
    In Imus case, the reverends are right
    posted 04/17/2007 @ 01:31PM
    I've shed exactly zero tears for Don Imus. The shock jock deserved to be fired for his latest incredibly insensitive, probably racist comment alone. That it was one in a long line of related comments dotting his career only bolsters my feelings. Still, th [1.83 kbytes more ]
    Richler belongs with the best
    posted 04/12/2007 @ 03:50PM
    When people talk about the pantheon of North American Jewish writers, most often they mention Philip Roth, Saul Bellow, Bernard Malamud -- and rightfully so. It's unfortunate that Mordec [2.01 kbytes more ]
    A very Yehoram Gaon Pesach
    posted 04/01/2007 @ 12:52PM
    So, apparently Passover’s coming really late this year. Last year it was early. It never seems to come on time. Why is that? Just throwing it out there. Whatever the answer may be, the spring festival’s here and while to many that means one thing, matzah, [1.82 kbytes more ]
    Is my script ready for prime time?
    posted 03/26/2007 @ 11:33AM
    A word on television sitcom pilots, because I finished writing one this week.

    First off, a pilot is the first episode of a TV series that does not yet exist. So when you write a pilot, the hope is that you’re creating characters and a situation that ev [1.92 kbytes more ]

    Fame looms for another Braff brother
    posted 03/21/2007 @ 11:11AM
    You want to talk about talented Jews?

    You’ve probably heard of Zach Braff, star of the phenomenally funny NBC comedy "Scrubs" and star/writer/director of the terri [1.41 kbytes more ]

    Israeli films heading in the right direction
    posted 03/06/2007 @ 04:41PM
    A gaggle of Hollywood stars is expected to show up at this month’s Israel Film Festival in Los Angeles, from Sacha Baron Cohen of “Borat” fame to vete [2.61 kbytes more ]
    Mazel tov to Arkin, Scorsese and Gibson
    posted 02/27/2007 @ 05:51PM
    If you listened carefully during the Oscars, you heard a little bit of mamalushen emanating from the stage. It was about 16 hours into the broadcast, though, so if you were asleep or had otherwise thrown in the towel (perhaps you’re not enthralled by inte [1.51 kbytes more ]
    Best Actor, Lead or Supporting: Alan Arkin
    posted 02/22/2007 @ 10:42AM
    It's Oscar time again and that means the opportunity to see what has become of Joan Rivers' face, an overdose of Hollywood self-congratulation and, if we're really lucky, an awards broadcast that includes an (unintention [2.18 kbytes more ]
    Finally, some good notes from Israel
    posted 02/07/2007 @ 05:20PM
    Have you noticed just how much bad news has been coming out of the Israel these days? President Moshe Katsav seems likely to be indicted on, among others, rape charges; Prime Minster Ehud Olmert’s under investigation for corruption; IDF Chief of Staff Da [0.96 kbytes more ]
    From Wagner to Gibson
    posted 01/18/2007 @ 10:23AM
    First, an admission: I listen to Richard Wagner’s music. Yes, I’m aware that he was a rabid anti-Semite, that his anti-Semitism may have been influential with Adolf Hitler, [2.58 kbytes more ]

    Chanan's Culture Schlock
    Everybody loves Rosenthal
    By Chanan Tigay

    Here's a bit of recommended reading for you. I just finished "You're Lucky You're Funny: How Life Becomes a Sitcom." It's a memoir by Phil Rosenthal, who created the massive TV sitcom hit "Everybody Loves Raymond."

    The book is extremely funny, insightful and interesting. It's also one of the best behind-the-scenes
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    television books I've ever read. Anyone interested in working in television really ought to read this. It's got the scoop on how "Raymond" was conceived and developed; how Rosenthal, the child of Holocaust survivors, navigated the minefield of network executives involved; how a writers' room works (good food seems to be key); and how the family lives of those who wrote the show became fodder for each week's episode.

    For example, there's the story of how Rosenthal, as a young, out-of-work actor, takes a job as a security guard at the Metropolitan Museum of Art in New York and is fired for falling asleep on a 300-year-old bed. The incident later showed up in a Rosenthal script.

    Then when he's finally making some money as a TV writer, Rosenthal sends his parents a membership in the Fruit of the Month club. When the first shipment of a dozen pears arrives, the Rosenthals are convinced their son has enrolled them in some weird fruit-eating cult. The incident showed up in the "Raymond" pilot.

    Big "Raymond" fans will love the book, but you need not have watched the show to appreciate this look into what goes into getting a TV show made, and then, once it's on the air, what it takes to make it a hit. Beyond the TV nuts and bolts, the book is about staying true to one's values even in an industry where the author is tested constantly and where it often seems the easiest way forward is to jettison what you believe in favor of protecting your own rear end.

    Rosenthal never does, and his family – nutty as he makes them out to be – always remains his priority, as does a show rooted in reality and in love, as strangely as some of the characters choose to show it.

    They say Hollywood's a Jewish business, but sometimes its values don't seem to be. Rosenthal shows us that need not be the case.

    [full story/permalink]

    a very nice article but if you listen to the cd with phils voice its even funnier.

    see link

    03/16/07 @13:23 | max
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    a very nice article but if you listen to the cd with phils voice its even funnier.

    see link

    03/16/07 @13:23 | max
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    04/17/07 @18:13 | Amelia
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    04/21/07 @00:30 | Drake
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    05/26/07 @02:33 | accompagnatrici
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    05/26/07 @18:08 | treno
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