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Sunday, September 7, 2008


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  • About the Blogger:
    Chanan Tigay is a longtime journalist for publications ranging from Agence France-Presse to The Jerusalem Report to JTA. He received an MFA in creative writing from Columbia University, has recently completed a collection of short stories and is at work on a novel. He starred in the feature film "Hitler's Strawberries" by Academy Award-nominated director Gian-Luigi Polidoro and in the Off Broadway hit "Grandma Sylvia's Funeral." He lives in Los Angeles and is at work on a television pilot. Apparently, he's not the only one in L.A. trying to break into T.V.

    Previous Postings:
    Baseball, hot dogs and Mel Gibson?
    posted 07/25/2007 @ 12:31PM
    So I'm at San Francisco's AT&T Field Tuesday night to watch the Giants play the Atlanta Braves and, more interestingly, Barry Bonds on his 43rd birthday trying to catch Hank Aaron's decades-old home run record. Between innings the park runs short videos o [1.03 kbytes more ]
    Enlightenment on the Six-Day War
    posted 06/11/2007 @ 06:28PM
    It was on June 10, 1967 that the Six-Day War ended, which means June 11, 2007 marks the four-decades anniversary of the beginning of Israel’s current reality. I’m not going to go into the historical, strategic, political and sociological implications of t [2.18 kbytes more ]
    Marketing Jewish to the masses: or, would you buy a T-shirt from Woody Allen?
    posted 05/30/2007 @ 04:33PM
    So I'm driving along Sunset Boulevard in L.A. recently and a large billboard catches my eye. It’s an ad for American Apparel (click to see photo), a clothing line for the hipster set who [3.15 kbytes more ]
    Is secular Jewish culture a vital idea?
    posted 05/10/2007 @ 02:41PM
    There’s a new online journal out there for secular Jews; this is great news. Not that I think Secular Culture & Ideas on its own is likely to really change the landscape of modern Jewish identity in the U [2.98 kbytes more ]
    In Imus case, the reverends are right
    posted 04/17/2007 @ 01:31PM
    I've shed exactly zero tears for Don Imus. The shock jock deserved to be fired for his latest incredibly insensitive, probably racist comment alone. That it was one in a long line of related comments dotting his career only bolsters my feelings. Still, th [1.83 kbytes more ]
    Richler belongs with the best
    posted 04/12/2007 @ 03:50PM
    When people talk about the pantheon of North American Jewish writers, most often they mention Philip Roth, Saul Bellow, Bernard Malamud -- and rightfully so. It's unfortunate that Mordec [2.01 kbytes more ]
    A very Yehoram Gaon Pesach
    posted 04/01/2007 @ 12:52PM
    So, apparently Passover’s coming really late this year. Last year it was early. It never seems to come on time. Why is that? Just throwing it out there. Whatever the answer may be, the spring festival’s here and while to many that means one thing, matzah, [1.82 kbytes more ]
    Is my script ready for prime time?
    posted 03/26/2007 @ 11:33AM
    A word on television sitcom pilots, because I finished writing one this week.

    First off, a pilot is the first episode of a TV series that does not yet exist. So when you write a pilot, the hope is that you’re creating characters and a situation that ev [1.92 kbytes more ]

    Fame looms for another Braff brother
    posted 03/21/2007 @ 11:11AM
    You want to talk about talented Jews?

    You’ve probably heard of Zach Braff, star of the phenomenally funny NBC comedy "Scrubs" and star/writer/director of the terri [1.41 kbytes more ]

    Everybody loves Rosenthal
    posted 03/15/2007 @ 02:33PM
    Here's a bit of recommended reading for you. I just finished "You're Lucky You're Funny: How Life Becomes a Sitcom." It's a memoir by Phil Rosenthal, who created the massive TV sitcom hit "Everybody Loves Raymond."

    The book is extremely funny, insightfu [1.88 kbytes more ]

    Israeli films heading in the right direction
    posted 03/06/2007 @ 04:41PM
    A gaggle of Hollywood stars is expected to show up at this month’s Israel Film Festival in Los Angeles, from Sacha Baron Cohen of “Borat” fame to vete [2.61 kbytes more ]
    Mazel tov to Arkin, Scorsese and Gibson
    posted 02/27/2007 @ 05:51PM
    If you listened carefully during the Oscars, you heard a little bit of mamalushen emanating from the stage. It was about 16 hours into the broadcast, though, so if you were asleep or had otherwise thrown in the towel (perhaps you’re not enthralled by inte [1.51 kbytes more ]
    Best Actor, Lead or Supporting: Alan Arkin
    posted 02/22/2007 @ 10:42AM
    It's Oscar time again and that means the opportunity to see what has become of Joan Rivers' face, an overdose of Hollywood self-congratulation and, if we're really lucky, an awards broadcast that includes an (unintention [2.18 kbytes more ]
    Finally, some good notes from Israel
    posted 02/07/2007 @ 05:20PM
    Have you noticed just how much bad news has been coming out of the Israel these days? President Moshe Katsav seems likely to be indicted on, among others, rape charges; Prime Minster Ehud Olmert’s under investigation for corruption; IDF Chief of Staff Da [0.96 kbytes more ]
    From Wagner to Gibson
    posted 01/18/2007 @ 10:23AM
    First, an admission: I listen to Richard Wagner’s music. Yes, I’m aware that he was a rabid anti-Semite, that his anti-Semitism may have been influential with Adolf Hitler, [2.58 kbytes more ]

    Chanan's Culture Schlock
    Defining a 'Jewish writer' isn't easy
    By Chanan Tigay

    I just read Dina Kraft's great story on the JTA site about the recent Kissufim conference in Jerusalem at which Jewish writers debated what it means to be "a Jewish writer." It's noteworthy that this conference
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    was held in Israel. On the one hand, of course, it makes sense. Israel is the Jewish state, where else would such a gathering be more appropriate?

    On the other, though, Israeli writers must have a very different experience of what it means to be a "Jewish writer" than do writers elsewhere. In Israel, almost all writing is, by definition, "Jewish." Whether it is actually about anything specifically Jewish – or about love, families, politics, war – it is Jewish because it's in Hebrew and because it's written in or about the Jewish state. Of course, this is a very Diaspora point of view, and certainly within the Israeli literary community some authors are considered more Jewish than others.

    But I wonder if the identities of Israeli authors as "Jewish writers" are heightened or dulled by the fact that they live and write in Israel. Here's what I mean: In the United States, for example, being a Jewish writer sets one apart from the rest of the pack. In Israel it means being like the majority of the other writers. Indeed, in America, one rarely hears references to "the Christian writer" or "the Muslim author." The Irish writer Frank McCourt, yes. The Egyptian writer Naguib Mahfouz, sure. Even the Israeli writer Etgar Keret. But in the U.S. and elsewhere, though not Israel, Judaism is essentially unique today in having its writers -- people like Chaim Potok and Philip Roth – referred to by their religious background.

    That being said, being Jewish and a writer in America doesn't necessarily make one a Jewish writer. Of course, most people would agree that Potok was a Jewish writer because he dealt with very specifically Jewish stories and themes, albeit in a universal way that appealed to people far beyond the Jewish community. Roth, too, is generally regarded as a Jewish writer. His depictions of Jews have upset some in the Jewish community, but for years he has taken on Jewish characters and themes in his work.

    But what about someone like Norman Mailer? Or Nathaniel West? Jews both, but Jewish writers? I think the answer is less clear. Is a Jewish writer simply someone who's Jewish? Someone who writes about Jews? Someone who writes about the Jewish religion rather than simply about Jewish people?

    These questions aren't easily answered. I'm happy to see they are being discussed -- and in Israel no less.

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