(New York Jewish Week) – Every two years, hundreds of artists from all over the world flock to Israel for the Jerusalem Biennale, an art festival that celebrates contemporary Jewish and Israeli artists from all over the world.
Due to the ongoing war between Israel and Hamas, however, the 2023 festival, which was originally supposed to open Thursday, has been tentatively postponed until next spring.
Many of the artists are mounting their shows in their home cities instead. At least five of the Biennale’s exhibits are scheduled to open this week in three continents — North America, South America and Europe — as a satellite version of the festival.
On Thursday, three of the exhibits — “Activate,” “The Seventeen” and “Hallelujah” — will open in New York City, where more than a dozen artists who are featured in the Biennale call home.
The Heller Museum at Hebrew Union College-Jewish Institute of Religion, in partnership with the Jewish Arts Salon and the American Sephardi Federation, will host two of the Biennale exhibitions, “Activate” and “The Seventeen.” They will be on view for free at the museum’s East Village location for the next week.
The Marlene Meyerson JCC Manhattan on the Upper West Side will host a third exhibit, “Hallelujah,” in partnership with the Biennale. The Upper West Side building’s Laurie M. Tisch gallery will show the work beginning Thursday through Dec. 17.
Founded in 2013, the Biennale takes place across the city of Jerusalem and centers contemporary artists whose work references Jewish and Israeli experiences. This year, the Biennale was prepared to bring more than 200 artists to Jerusalem to host 35 exhibitions across the city under the theme of “Iron Flock,” which aims to “identify, through the eyes of curators and artists from all over the world, the movements, ideas, people, and moments that have become our unsaleable cultural assets,” as the Jerusalem Biennale’s website describes it.
“The Jerusalem Biennale became like a pulse, beating steadily every two years. Since 2013, without exception and despite the many challenges, the Jerusalem Biennale has created a platform for contemporary art at the very center of the Jewish world. Until now. It’s as if the heart skips a beat,” Rami Ozeri, the festival’s founder and creator director, said in a press release.
“But even now, after the unspeakable pain of October 7, we have witnessed a huge outpouring of solidarity from around the world,” he added. “Within weeks, our friends and partners have succeeded in mounting in their own cities the exhibitions created for the Jerusalem Biennale. We will continue to nurture the ties of art and culture between Jerusalem and the world today more than ever.”
At the Heller Museum, “Activate: A New York Women’s Perspective,” curated by Israeli artist Hadas Glazer, showcases the work of six New York artists — Siona Benjamin, Goldie Gross, Ronit Levin Delgado, Joan Roth, Chelsea Steinberg Gay and Yona Verwer — who explore “the complexities of life as a woman today,” according to a press release.
Also at the museum, “The Seventeen” spans the 40-year career of Brooklyn-born artist Archie Rand. Curated by Samantha Baskind, the exhibition continues the artist’s explorations of “the Bible and Jewish texts in serialized paintings conceptually informed by twentieth-century culture,” according to the Jewish Art Salon website.
Meanwhile, at the JCC, “Hallelujah” will showcase Israeli artists currently living in New York who have created art about their experiences as immigrants to the United States. On view will be works by Noa Charuvi, Hirut Yosef , Yehudit Feinstein, Yuli Aloni Primor, Gal Cohen, Ken Goshen, Gabriela Vainsencher and Maya Baran.
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Other exhibitions that were intended for the Biennale will be mounted at the AMIA Art Space in Buenos Aires and the Jewish Museum of Casale Monferrato in Italy.
Ozeri said in a press release that more of the exhibits will open around the world in the coming months as a plan is made for the Biennale to take place in Jerusalem next year. “This heart will always keep beating,” he said.
